Use case: illustration-story.
Create ONE original literary cover illustration. Portrait 2:3, 1024 by 1536 preferred, flat edge-to-edge paper. No book mockup.
Art direction: quiet mid-century printmaking, irregular ink edges, fine restrained natural paper grain, matte warm ivory (#f1ede3). No more than two main muted ink colours plus graphite linework and the ivory paper. Wide, confident forms; very few small details. A lived-in spatial scene with a sense of distance, weather or absence—not a floating icon, logo, object sticker, or decorative emblem.
Reserve the entire top 43% as completely empty warm ivory for separate live typography. The narrative occupies roughly 47%–87% of the canvas; the bottom 9% remains clean ivory for an author line. The scene can reach the side edges. Coherent at 180 pixels wide. Paper is the light, not a bright sun.
No text, letterlike marks, digits, signature, watermark, publisher logo, frame, collage, glossy 3D, photorealism, cute cartoon, ornate ornament, heavy distressed texture or green. Make an original interpretation, not a copy of any published cover.

Work: To the Lighthouse by Virginia Woolf. Emotional tension: a distant place, close in the mind. Two broad desaturated slate-blue tidal bands and one warm-grey headland turn around an ivory inlet. Very far away, at the edge of the low headland, a tiny slender ivory lighthouse is suggested by three confident lines. The water and distance dominate; the lighthouse is no more than one twentieth of image width. A single winding ivory path of light connects the near water with that distant point. Quiet horizontal and diagonal rhythms, gently irregular printed edges. No people, boat, sun, moon, birds, beams shooting from the lighthouse, windows, shells or detailed rocks. Palette: pale slate blue and warm stone grey.