围城

以下提示词用于生成无字插画；书名与作者随后独立排版。 这份独立配方已纳入修正要求；历史原始提示词另行保留。

Use case: illustration-story.
Create ONE original literary cover ILLUSTRATION LAYER, not a finished cover. Exact title and author will be typeset later from font files. Portrait 2:3, exactly 1024 by 1536 pixels, PNG preferred. Flat edge-to-edge paper, no book mockup.
Art direction: quiet mid-century printmaking, broad confident shapes, irregular ink edges, very fine natural paper grain, matte warm ivory (#f1ede3). No more than TWO muted ink colours plus graphite linework and paper. Very few small details. An inhabitable spatial scene with weather, distance or absence, never a floating icon, logo, sticker or decorative emblem.
PRODUCTION COMPOSITION: reserve the ENTIRE TOP 43% (y=0 through660) as empty warm ivory for separate typography. All meaningful illustration occupies y=720 through1330, roughly 47%–87%. Entire bottom 9% (y=1398 through1536) stays clean, empty warm ivory for the author line. Scene may reach left/right edges inside its own area. No border or artificially white rectangle pasted over an image. Quiet space is part of the composition. Coherent at 180 pixels wide.
No text, letterlike marks, digits, signature, watermark, publisher logo, frames, collage, glossy 3D, photorealism, cute cartoon, ornate ornament or heavy distressed texture. No green. Make an original interpretation, not a copy of a published cover.

Work: Fortress Besieged / 围城, by Qian Zhongshu.
Emotional tension: The comic unease of wanting to enter and wanting to leave.
Scene: An oblique overhead view of two adjoining, modest domestic courtyards. Broad low terracotta walls form two incomplete rectangles; their openings are offset, so the eye must turn to pass from one to the other. One long slate-blue wall shadow connects the empty courts. No roof tiles or architectural ornament. The structure occupies the lower middle, x=0 to1024, y=760 to1270, with a little paper breathing through. Not a diagram, not a maze logo: palpable worn plaster, spatial depth, awkward domestic intimacy.
Visual decision: Two adjoining empty spaces with misaligned thresholds and one continuous shadow.
Palette: #9b6858 and #4b5663. Render as restrained printed inks, not glossy gradients.
Omit: Fortress towers, battlements, soldiers, arrows, keyholes, locks, lovers, detailed brickwork.

Final simplification requirement: The two courtyards are entirely empty. No trees, twigs, benches, pots, leaves or their shadows. Retain only the terracotta walls, offset thresholds, empty paper floors and broad slate cast shadows. Surface grain must be subtle. This standalone recipe describes the selected edited composition; it was not the verbatim prompt of a single generation call.

生成日期: 2026-10-16
工具：OpenAI 内置生图；工具未提供具体模型版本。

一次局部修正

首稿自行添加了树、罐子、长凳和落叶。生图编辑移除多余物件，减轻做旧纹理。

Use case: precise-object-edit.
Refine this original literary-cover illustration. Preserve the 1024×1536 canvas, warm ivory paper, all empty top and bottom margins, the two adjoining courtyards, their precise wall silhouettes, offset openings, terracotta/slate palette and the broad diagonal cast shadow. Change only clutter and surface detail: REMOVE both trees and all branches and their fine shadows, the small pot, the bench, all scattered leaves. Both courtyard floors must be entirely empty. Reduce mottled wall/floor distress to very light fine paper grain; retain gently irregular printed edges and broad flat ink planes. Do not add anything else. This must feel like a spare two-colour literary print, not a decorative architectural model. No text, letters, logos, borders or new ornaments.